My winter Seattle Writing Class, Follow the Story, will focus on genre in narrative writing. We will discuss travel writing and many other genres during the eight- session class. Here are some tips for the would-be travel writer:
START WITH FAMILIAR, GO TO THE UNFAMILIAR – Good travel stories meet the reader’s expectations about a place, but take them a bit further. Good stories take the readers as they are, and in the course of the journey, bring them to someplace new.
STRUGGLE – Don’t forget to struggle a bit as you travel. If you fly from destination to destination without a hitch, you’re going to tell a BORING STORY. Conversely, if you have to work to get through your vacation then chances are you’ve got some drama to provide interest and suspense in your story.
FOCUS ON PEOPLE as well as the place, especially people who are characteristic of it. Ever notice how the folks you met along your journey conjure up the strongest memories? It’s the same with readers. They want to be introduced to the folks that made your trip special. Add QUICK CHARACTER SKETCHES of the most memorable folks you met.
ORGANIZE STORY AROUND SCENES – Don’t include every event that happened, just the important, lively, funny, fearful, memorable ones. This is one of the techniques I’ll discuss in the winter Seattle Writing Class.
GENERALLY SPEAKING, USE FIRST PERSON POINT OF VIEW – Make yourself a character in the story. Filter the place through your point of view. Describe how it impinges on you. In first person point of view the “I” is the focal character and it selects, colors and shapes the material related in the story.When I write in first person, my feelings, thoughts, impressions are added to descriptions of the actions, so that the reader gets a sense of how they affect me, but the “me” is a very selective one, because I understand that readers are looking for a surrogate in the story and that my job is to fulfill that role without boring, irritating or putting them off
Travel and Adventure Writing is some of the most enjoyable writing I do. It gives me an excuse to get out into the wild and leave behind all the email, texts, phone messages and other things I need to keep track of as a writer and founder of The Writer’s Workshop.
I had the pleasure of going on a press trip recently to the Home Ranch in Colorado. During the three-day visit, I took skate skiing lessons from Matson Tew, one of the guides at the ranch. The ranch offers lessons for cross country, skate skiing and even telemark skiing, which allows guests to try all kinds of skiing. I have telemarked for years and done classic cross country skiing a lot, but I had done little skate skiing and the times I’d done it, it had kicked my ass. It was so strenuous that I could only do it for a few hundred yards. But I figured if I had good instruction and the right equipment and a good course, I could at least make some progress, and get some material for travel and adventure writing.
In addition to taking lessons, I planned to write about it. The lessons and trip were essentially research for me. I no longer attend many city council or county commissioners meetings, as I did when I was a newspaper reporter, but I try to get out in the field as much as possible. I always learn a lot on such trips, soaking in the geography, the landscape, the people. And I usually return with a story as I did on this trip. As I teach students in my Travel writing classes, Seattle writing classes, and online classes, I like to use scene to organize such stories. Take a look at the story I wrote about the trip for a demonstration of how to do this. http://www.mountaingazette.com/blogs/kicking-and-gliding-at-the-home-ranch/
For thrills and chills, please check out my new website, which includes an interview about The Storms of Denali, www.nickoconnell.net.
Pleasure in a good novel…
The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.
…with luck and if you stated it purely enough, always.
I was trying to write then and I found the greatest difficulty was to put down what really happened in action; what the actual things were which produced the emotion that you experienced…the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or ten years or, with luck and if you stated it purely enough, always.
It is wrong to have an ideal view of the world.
It is wrong to have an ideal view of the world. That's where the mischief starts. That's where everything starts unravelling.
One false word, one extra word…
One false word, one extra word, and somebody's thinking about how they have to buy paper towels at the store.
Don’t try to figure out what other people want to hear from you.
Don’t try to figure out what other people want to hear from you; figure out what you have to say. It’s the one and only thing you have to offer.
The forms of things unknown and the the poet’s pen…
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
William Shakespeare (from A Midsummer Night’s Dream)
Get it down. Take chances.
Get it down. Take chances. It may be bad, but it’s the only way you can do anything really good.
For some of us, books are as important as almost anything else on earth.
For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.
The difference between the right word and the almost right word…
The difference between the right word and the almost right word is the difference between lightning and a lightning bug.
Just follow your hero.
First, find out what your hero wants, then just follow him!
Literature is nothing but carpentry.
Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.
Gabriel Garcia Marquez
There are only two or three human stories.
Isn’t it queer: there are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before; like the larks in this country, that have been singing the same five notes for thousands of years.
Writing a novel is a terrible experience.
Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.