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In my Travel Writing Classes, I love to visit restaurants with a strong sense of place. Though European restaurants often exhibit this connection with place, North American restaurants are making this a priority, too. Thus, it was a great pleasure …
Restaurant exemplifies ideal of Travel Writing Classes Read More »
In this summer’s Seattle Writing Class, “Writing for Story,” we’ll learn how to read in public as a writer. This is a necessary skill for anyone who wishes to promote a book or read in public. I was reminded of …
First person point of view remains one of the trickiest strategies for any writer, as well as one of the most effective and popular ways of telling a story. This class will provide key insights into writing in first person: …
The Self as Character: Writing in First Person Point of View Read More »
SCENIC LEADS These leads attempt to grab the reader through use of graphic detail and gripping suspenseful storytelling. These leads do not attempt to tell a complete story as do anecdotal leads, but they give the most appealing, eccentric or …
Scenic Leads the Key to Suspenseful Storytelling Read More »
ANECDOTAL LEADS Anecdotal leads tell a compelling story quickly and succinctly, a story which illustrates the larger point that the piece is making. These leads do not employ a lot of scenic detail, but instead rely on describing an action …
Anecdotal Leads: Tell a Compelling Story Quickly Read More »
“The easiest thing in the world for a reader to do is to stop reading.” Barney Kilgore, former editor of the Wall Street Journal. The opening is the most important part of the story. If your lead is not interesting, …
I had the pleasure of speaking at the annual Write on the Sound writers conference in Edmonds, Washington, yesterday. I talked about Quest Narratives, one of the oldest and surest ways of telling a story. Here’s some of my advice …
I was trying to write then and I found the greatest difficulty was to put down what really happened in action; what the actual things were which produced the emotion that you experienced…the real thing, the sequence of motion and fact which made the emotion and which would be as valid in a year or ten years or, with luck and if you stated it purely enough, always.
Ernest Hemingway
“One false word, one extra word, and somebody's thinking about how they have to buy paper towels at the store.”
Patricia Marx
“For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.”
The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.
Jane Austen
Get it down. Take chances. It may be bad, but it’s the only way you can do anything really good.
William Faulkner
