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In my Travel Writing Classes, I love to visit restaurants with a strong sense of place. Though European restaurants often exhibit this connection with place, North American restaurants are making this a priority, too. Thus, it was a great pleasure …
Restaurant exemplifies ideal of Travel Writing Classes Read More »
In this summer’s Seattle Writing Class, “Writing for Story,” we’ll learn how to read in public as a writer. This is a necessary skill for anyone who wishes to promote a book or read in public. I was reminded of …
First person point of view remains one of the trickiest strategies for any writer, as well as one of the most effective and popular ways of telling a story. This class will provide key insights into writing in first person: …
The Self as Character: Writing in First Person Point of View Read More »
SCENIC LEADS These leads attempt to grab the reader through use of graphic detail and gripping suspenseful storytelling. These leads do not attempt to tell a complete story as do anecdotal leads, but they give the most appealing, eccentric or …
Scenic Leads the Key to Suspenseful Storytelling Read More »
ANECDOTAL LEADS Anecdotal leads tell a compelling story quickly and succinctly, a story which illustrates the larger point that the piece is making. These leads do not employ a lot of scenic detail, but instead rely on describing an action …
Anecdotal Leads: Tell a Compelling Story Quickly Read More »
“The easiest thing in the world for a reader to do is to stop reading.” Barney Kilgore, former editor of the Wall Street Journal. The opening is the most important part of the story. If your lead is not interesting, …
I had the pleasure of speaking at the annual Write on the Sound writers conference in Edmonds, Washington, yesterday. I talked about Quest Narratives, one of the oldest and surest ways of telling a story. Here’s some of my advice …
“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.”
Mark Twain
The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.
Jane Austen
And as imagination bodies forth
The forms of things unknown, the poet’s pen
Turns them to shapes and gives to airy nothing
A local habitation and a nam
Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.
Gabriel Garcia Marquez
Get it down. Take chances. It may be bad, but it’s the only way you can do anything really good.
William Faulkner
